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Documents: Gertrude Stein reading her own text

Sur http://www.ubu.com

Working notes by Ulla Dydo

The Making Of Americans
Written 1903 - 1911. Only very early notes were written in 1903 in New York; basically the novel was rewritten and rewritten in Europe.
The Making of Americans: Parts 1 & 2 (5:38) , recorded in New York, Winter 1934-35

Matisse
Written in Paris, early 1911
Matisse (2:47) , New York, Recorded in New York, Winter 1934-35

A Valentine to Sherwood Anderson
Written in Paris, 1922
A Valentine to Sherwood Anderson (3:46) , Recorded in New York, Winter 1934-35

If I Told Him: A Completed Portrait of Picasso : Text
Written late Aug. 1923 in Nice / Antibes, where S & T went to see Picasso. Picasso returned to Paris early September, but Stein, working steadily, stayed on for 3 full months, far longer than her usual, short visits.
If I Told Him: A Completed Portrait of Picasso (3:42) , recorded in New York, Winter 1934-35

The Fifteenth Of November . . . T. S. Eliot
Written Paris, fall 1924, perhaps upon Eliot's visit to rue de Fleurus.
MP3 (3:16)

Portrait of Christian Bérard
Written December  1928 in Paris, in appreciation of Bérard's portrait of Stein that was to become the frontispiece of the first 100 signed copies of DIX PORTRAITS.
Portrait of Christian Bérard (0:49)

Madame Recamier. An Opera.
Written in Biligmin, September 1930. Only a very short excerpt of this long text is included in the record. perhaps for lack of (recording) space. It's unfortunate, for this short excerpt in no way represents the libretto.
Madame Recamier: An Opera (3:25) , Recorded in New York, Winter 1934-35

How She Bowed To Her Brother
Written in Paris, late 1931. Title used here (with "How") is in ms and in opening sentence; other publications leave out the "how."
How She Bowed To Her Brother (2:18)

Interview 1934 (1:19) .
Probably the Interview at the Algonquin Hotel, November 1934, upon Stein's arrival.

http://www.ubu.com/sound/stein.html

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theater adaptation of "A sentence to my mother" by Christian Prigent

du 12 janvier au 13 février 2011

Une “phrase” unique, ressassée, scandée de obsessive refrains, pierced by reflexive asides and digressions, wrapped in a long lament comic. His movement is trying to settle the account of the desires, anxieties and sorrows dedicated to the tutelary figure of the mother.

The sentence only character
Language is a contagious disease. The play (say it simply) is similar to vaccine research.
must inoculate ourselves with the germ. Trying to speak that language, very specifically, his breath, its rhythm.
must do his own body, his own head, the golf experience. And attend each day of the advancing damage.
The staging is not an excess, an addition, something that comes on top, cover the text. It is by nature a default, withdrawal, something that comes from below, explore the text, remove the cumbersome, useless. Try in its apprehension of words and meaning, not to screen. Disappear. Leave room.
Here, something like a dual improvisation (no text, no comma is sure) of the actor (me) and light. No performance, a strange time (we hardly dare to pronounce this word) theater whose only decoration is the only character is the only action the sentence. Jean-Marc

Bourg

Maison de la Poésie
Passage Molière
157, rue Saint Martin
75003 Paris
01 44 54 53 00

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called Poetry Heretic art back

Documentaire sur le champ poétique contemporain en France, réalisé par Gilles Weinzaepflen.

Avec JeAn-Marie Gleize, Noura Wedell, Éric Pesty, Dorothée Volut, Antoine Dufeu, Christophe Manon, Géraldine Chognard, Ivar Ch'Vavar, Yves di Manno, Paul Otchakovsky-Laurens, Stéphane Bérard, Nathalie Quintane, Anne-James Chaton, Rudy Ricciotti, Julien Blaine, Jacques Demarcq, Charles Pennequin, Myriam Marzouki, Jean-Pierre Balpe, Bernard Girard, Michael Battal, Veronique Pittolo Christophe Tarkos, Lucien Suel, Jérôme Mauche

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What's behind the "Strange fruit (r)?

Following the huge success of the first representations of November

Ras El Hanout asbl and the Movement against Racism, Xenophobia and Antisemitism are pleased to invite you to upcoming performances from

STRANGE FRUIT (R )

original theatrical creation end of the working group continuing education



Synopsis We
2097, music by country disappeared under the waters, Belgium no longer exists and racism is a distant memory. However, like others before them, Mr. and Dr. Manajeur believe that multiculturalism has failed to innovate and offer students a new model of society based on the mistakes of their ancestors.
Experience the life of these "strange fruit (r) s" as Billie Holiday sang it yesterday. You will witness the racism and discrimination from time immemorial to the present day, through small skits or comedy full of emotion, and discover the sneaky plan of Mr. Manajeur and his sidekick ...

Creating original theatrical "Strange fruit (r)" depicts situations of social exclusion, prejudice, discrimination, issues of migration and diversity, drawing on the humor, emotion , analysis and empathy. Based on the technique of street theater, writing was made from real experiences, fictitious or imagined participants in the project, they are discriminatory and / or discriminated against, racist and / or racialized routine or ordinary citizens. Throughout the piece, Racism as it was yesterday, as it is today and as it could be tomorrow is put into perspective with the aim to put a fresh look at his real nature.

As part of continuing education activities of MRAX, supported by the French Community.

With the support of the deputy-mayor Hamza Fassi-HRIF in charge of Culture in the City of Brussels

Practical Information:

Saturday, March 5 and Sunday, March 6 at 20h at the Palais des Beaux-Arts
- 23 Rue Ravenstein, 1000 Brussels
- Presales: 10 € (8 € for children under 26 years)
- Available: Palace of Fine Arts - BOZARTICKETS at 02.507.82.00 or www.bozar.be

Sunday, March 20 at 18h at the Vaudeville Theatre
- 13 Galerie de la Reine - 1000 Brussels
- Presales : 10 € (8 € for children under 26 years)
- Available: FNAC stores at 0900.00.600 (0.45 € / min) or www.fnac.be
- Opening the Action Week Against Racism 2011, organized by MRAX

Friday, March 25 to 19h Centre Culturel d'Uccle
- 47 Street Red, 1180 Uccle
- Presales: 10 € (8 € for children under 26 years),
- Available at the Centre Culturel d'Uccle, on or 02.374.64.84 www.ccu.be
- Tracking a Diversity Networking organized by ABPM - Belgian Association of Muslim Professionals

Contact
www.facebook.com / raselhanout / info@ras-el-hanout.be / mrax@mrax.be
www.ras el hanout.be / Www.mrax.be
0487/44.10.60 - 0486/74.84.60

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Clarkson behind Beckham as British teen idol boys!

Walt Disney asked to 631 young British boys 8 to 14 years to name the male personality they admire most.

The man most popular with young people is David Beckham. This is somewhat surprising, because we often feel it is more often about him in the tabloids than on the field. But I must admit I know nothing soccer.

Among other personalities, we find some football players and favorites such as Justin Bieber and Daniel Radcliffe. I was quite surprised to find Jeremy Clarkson in the second position, behind Beckham!

Clarkson as a model for young people ... Hmm, not sure! For cons, I can understand that teens can relate to it. Like them , co-host of the series Top Gear sometimes lacks decision is often grumpy and opinions are still far from unanimous!

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publishes Freak Wave No. 2 / 2011

Freak wave 2
2011 to 180 per - 15 x 21 cm
review misanthropic images and texts
bilingual

This second issue is between the ethnic culture and the punk / rock, with the arrival of new actors from alternative circuits. Breaking down barriers
art, jumble of influences fanzines, multimedia, art brut, schools sensationnistes South American, or the arrival of an African school curious, devouring the West, these trends are so diverse in this movement a major artistic movement of the late 20th century, incorporating the emerging culture of the next century.

http://eretic-art.com/freakbase.html

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New: Critical review of contemporary French fixxion

http://www.revue-critique-de-fixxion-francaise-contemporaine.org/

Press

"We are pleased to announce the creation of critical review of contemporary French fixxion , a scientific journal with an international vocation, which welcomes contributions on French literature after 1980. Open to the literature of France and the Francophonie, the bilingual magazine combines academics and writers in a reflection on the forms taken by contemporary writing.
The first issue, "Micro / Macro", directed by Dominique Rabaté Pierre and Schoentjes , addresses microfictions; further critical studies, is to offer a carte blanche to Eric Chevillard an interview with Regis Jauffret, a correspondence between Arno Bertina and Pierre Senges, and proofread by Simenon Jacques Dubois . By mid-January, an unpublished Pascal Quignard will complement this.
We invite you to discover the magazine on our website: http:// www.revue-critical de-francaise-fixxion contemporaine.org , where you will also find a link to download the entire issue in pdf.
Number 2 "Find to talk to" (June 2011) will focus on the relationship of author to his readers, the number 3 will be devoted to "The writer and his language" (December 2011). "

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Perforeilles The Festival / 10-12 March 2011

News Publishing The Big Bone

© Diego de los Campos

Pending the detailed program Perforeilles 2011 (online here soon) here is some information about the third edition of the festival, which has not stolen his sub- Title: Poems and Performance therefore from Thursday 10 to Saturday, March 12 2011, at The Hangar Theatre to Toulouse. Three nights at 21h and a conference on Saturday afternoon. An international program, with guests from around the region of Toulouse, France, Belgium, Spain, Ecuador ...

Lineup and, for the moment, in order:

Séverine Astel, Catherine Froment, Antoine Boute, Bartolomé Ferrando, Lê Quan Ninh, André Rober, Huilo Ruales Hualca Sebastien Lespinasse, Yves Pestipon, Pasini and Co. / Tot Ana, the company Lohengrin.

The festival is organized by Perforeilles editions Grand Os and C OMPANY Lohengrin / Hangar Theatre , with the participation of the library Happy Days . The two previous editions were supported by the National Book Centre and Toulouse, in the Spring of Poets .

http://legrandos.blogspot.com/

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WITHOUT JEAN GENET. Marseille city in the newspaper thief

The Friday, January 21, 2011 at 18:00 CIPM

6:00 p.m.
Projection A love song
25 min., 1950
A film by Jean Genet

7:00 p.m.
talk about poetry and the implementation of Jean Genet with
René De Ceccatty , Albert Dichy , Leila Shahid
moderator
Didier Morin

Free admission - bookings [04 91 91 26 45]

Yes, of course, we say, and probably rightly, that whatever fuss, all these celebrations around the centenary the birth of Jean Genet's still a way to academisation the thief, the author of Condemned to death would have hated these tributes were held everywhere, at the Odeon, the Sorbonne, at the Ecole Normale Superieure, New York, Berlin, Vienna, Tangiers, Larache and into the villages of Morvan - and now Marseille which he knew so well the streets and police and he was host to the prison at Fort Saint-Nicolas. And we will also tell all the evil he would surely have thought of this bunch of books (fourteen in 2010), these reviews, these movies, these radio broadcasts, these debates sift through his work and his life . And finally one wonders if the glory of Genet's not his tomb.
[...]

Dichy Albert, in '' 'Cahier du Refuge' '' 196, January 2011

I was fortunate to know and Genet to accompany a slice of his life, the past ten years. I was, in spite of myself, witnessed the genesis of the last two major texts that he left us, Four Hours in Shatila (1982) and Prisoner of Love (1986). The first acting, in my personal opinion, as a prologue to the second, a magnificent text published after his death and continues until today, to divert the criticism does not know where to classify it in the work of this great poet What Genet.
[...]

Leila Shahid, in '' 'Cahier du Refuge' '' 196, January 2011

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Antoine BOUTE guest Pontiffroy Poetry-March 5, 2011 Publication of the journal

More information: http://alainhelissen.over-blog.com/

Antoine Boute explores the impact between body language and voice according to various media and means: poetry, experimental novels, essays, sound performances, lectures, poetry, graphics, movies, performances on the internet, collaborative writing with her children , organizing a festival in the forest, a newspaper publishing, collaboration with musicians, poets, artists, children, and homeless students. He is the author of among others: Cavales, White Terraces, remove the probe, the touch. Essay on Pierre Guyotat, Brrr!, Advanced techniques (pull on demand) (with Ariane Bart), How to Live homeless? (With Victor and Lucas Boute) and Post-shrimp.

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Gruppen No. 2 (January 22, 2011)

with Martial Solal, Bartolome Ferrando, Serge Pey, Letitia Mouze, Nicu Ilfoveanu, Agnes Birebent ...

www.revuegruppen.com

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Political courage of Mr. R. Biren, Mayor-President of Arlon

It snowed and it snows again, we suspect all seen the lack of efficiency shown by the town of Arlon. Or rather, it acted, but too late. The cavalry is supposed to arrive before the end of the massacre ... The cost means that has released is ridiculous in terms of accumulated losses by merchants.

We have more strength to remember the men and women politicians that any merit pay would work and would be more in action in the reaction. Especially if it comes down to what we were told.

While still time to act, we challenged the City Council on a number of inconsistencies and it seemed to be malfunctioning. The courier received in return addresses only one of them: snow removal.

[Click on image to enlarge]

As a child in poor form, Mr. Mayor- President tells us they are doing what they can ... " He does what he can you know ... , said the grieving mother.. " But if only you had done everything what you can, Mr. Mayor-President, no director would you discipline. While this difficult period could highlight your sense of initiative and efficiency of your services, you were simply nonexistent.

The only one who has listened to our dismay was Mrs AC Goffinet. Although since we have not heard back about the visit, and after all his salary as alderman of Commerce gives him the duty, we can at least concede that courage.

The last paragraph of the letter from Mr. Mayor-President borders on insult to all those who have worked all their energy to try to remedy this situation. We cleared our pavements and those of others. Before opening shop, we reached the parking spaces as we could. Mr. Perpète have seen it in guarantor and uttering threats of ridicule that would have inspired Molière.

And since some pictures are better than long description Here are a few that remind you of the pettiness that your names are attached (and at the same time, we had indeed reached our sidewalks ...).

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Thomas Suel, slammer and writer in residence at the MoU

Thomas Suel in residence at the MoU

Collaboration between EPSM Lille-Métropole and Vivat celebrated its 10 this year. She was born from the initiative of Dr. Christine Lajugie, head of G07, which came to the meeting to propose an exchange Vivat singular and gratifying for both structures: the patients Vivat, artists in EPSM! ". Hosted by 1999 at the pavilion of lime trees and since 2002 "6a", renamed "House of Artists", these artists (choreographers, directors, circus performers, musicians and visual artists) are conducting a multitude of projects for meeting and crossing of public .

Thomas Suel is a "real" Yankee, born in 1976 ... in the Pas de Calais, Isbergues. He spent his youth there, between the hills of Flanders and Artois. To the east is the mining and steel, which he watched and observed the slow and inevitable agony. > Read more

> See also: Introducing Thomas Suel, slam off the beaten track : slam-lille

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spoken Review : The Republic of poets. Presentation Evening

Review spoken moderated by Marc Blanchet on current poetic

fourth year of these meetings House of Poetry, Paris with the highlighting of publishers and their authors 'home' to hear poets, but also know time life editorial editors French, young and old.

The Republic of poets is to vow to welcome poets, translators, essayists, editors, journal, all those who in one way or another are "news poetic." Making knowledge is assumed here to enter text or published authors invited to share these poetic languages as diverse as they are for the uniqueness of each finds its place, simply, precisely, the time of a meeting. sympathetically, but without complacency, to the
text and not in front of the modes we discuss, interrupted with pleasure for the necessary truth a reading of the poet's voice or in complicity with a guest or an actor.

Over the years we have been able to meet authors as diverse as Florence Delay, Gerard Tius Caramel, Nicolas Pesquera, Jacques Roubaud, André Markowicz, Stephane Bouquet, Emmanuel Adely, Jacques Reda, Gérard Macé, Marion Graf Fabienne Courtade, Christian Prigent, Jean Ristat James Sacré, Yves Di Manno , publishers Argol, Champ Vallon, Flammarion, The Noise of Time, Obsidian, The Purloined Letter, Ypsilon, magazines the stranger, Thaumas , etc.. The Republic of poets
takes place once a month on Saturday afternoon.

The Republic of poets is also broadcast live on our website and our partner site www.remue.net

Saturday, January 22: Cheyne editions celebrating 30 years with Jean-François Manier , Director the publisher, Eric Ferrari and author Jean-Baptiste Para , director of the collection "a voice on the other (foreign poetry)

http://www.maisondelapoesieparis.com /

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Pasolini, readings, with the magazine dieresis

The Skylight Bookstore Writers, Saturday, January 15 at 19h30 (Paris)

Evening Pasolini, readings, with the magazine dieresis moderated by Daniel Martinez, the newspaper of unpublished poems, (1948-1953) by Pier Paolo Pasolini by his translator Monges Laurent Chevalier , preceded the presentation of poets Isabelle Levesque (Ultimate Amer) and Etienne Ruhaud (Little Fables) of texts published in the journal dieresis.

http://lucarnedesecrivains.free.fr/index.htm

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Journal Europe, back Bernard Christmas

January-February 2011, No. 981/982

Through its poems, stories, his plays, his books, historical or political, his writings on painting, Bernard Noel is a writer of great importance that the number of readers in France but also abroad, continues to grow. Writing is her life, her body, her faith. He gives himself through it freely. If it is "beyond gender" and remains unclassifiable originality that each page is signed, recognizable, identifiable by a writing, a voice, a language. Bernard Christmas is also a spirit of revolt, ready to awaken at the touch of an injustice or impairment of power to our freedom. Everything started well before the Last Supper Castle when the young writer has participated in the resistance against torture in Algeria. After suffering censorship, he noticed a more subtle form of invasion of freedom was exercised without our knowledge and created the neologism "sensure" to describe the sense of deprivation in which power tries policy to enclose the citizen. Language, body language and ability, look, body and perception are the two still claimed by Bernard Christmas to reach a authentic relationship in the world, others and oneself. His writing continues to challenge us, his silence makes us think, he invites us to share the words as the unspeakable.
with contributions from Columbus Chantal William, Bernard Noël, Adonis, Margat Claude François Bon, Michel Collot, Otchakovsky-Paul Laurens, Georges Perros, Andre Pieyre of Mandiargues, Jacques Derrida, Henry Meschonnic, Christian Prigent, Herve Carn, Jean Luc Bayard, Françoise Roux, Luc Grand-Didier, Alice Roland, Christian Hubin, Jacques Ancet Anne Malaprade, François Dominique Krax, Leslie Kaplan, Laura Legros, Jan Voss, Daniel Nadaud, Jacques Roman, Charles Tordjman, Michel Mathieu, Stéphane Baquey Angela Sanmann Jack Ralite.
Booklet creation: Joachim Sartorius, Valerio Magrelli Mohammed Bennis, Olvido García Valdés, Cedric Demangeot, Venus Khoury-Ghata.
The issue also carries a set of around Andre Pieyre Mandiargues, with contributions from Charles Dobzynski, Marie-Paule Berranger, Elijah Charles Fleming, Jacqueline HOLOGNE, Nicola Muschitiello, Stephanie Caron, Marc Kober.

> site

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What would TNG today?

The other day, opening the television, I came across an episode of Star Trek: The Next Generation. was an episode where a telepath Troy used to elicit energy.

Looking at this issue, I came to ask my question: What would TNG if it had been established in (say) 2007 instead of 1987?

Since Battlestar Galactica 2003, there is more pure-hearted hero. All the characters have skeletons in the closet of goals or a small secret perversion!

Here's what the characters would look like if the series had been created today:

• Will Ryker would not be the first officer because he likes to be second best on the flagship of the fleet rather than being the captain of a secondary . Her mishap aboard the Pegasus would have created problems that have marred his record. Naturally, Ryker would smoke a cigar during the poker games and have a tattoo.
• Deanna Troy would not only have had a past relationship with Ryker, but it would also be wrong with a woman, which would explain why he had left that way.
• Wesley Crusher , would not only be a small engineering service. It would also have difficulty accepting his homosexuality, even in the world of what tolerance Star Trek. He would live a secret passion for Worf does not return her affection.
• Beverley Crusher not live only a platonic relationship with the captain, but she also felt guilty because he was the best friend of her deceased spouse. It would have a little problem with alcohol that would be difficult to meet with synthetic alcohol!
• Geordie LaForge is not much Zen with his blindness. It would be a nagging ex-wife who had driven to drink. It would have been in the past suicidal tendencies who almost prevented from being assigned to the Enterprise.
• Captain Jean-Luc Picard would always be the man of the situation, one that is constantly ready to do everything to the success of the mission, against his relationship with Dr. Crusher would be embarrassing sometimes, especially when she is drunk.
• Worf have a little more difficult to restrain his aggressive impulses. They would be often drunk with Beverley, causing some jealousy on the part of Picard, Worf even seems interested in Deanna. Worf would have ambition, and he would be willing to do anything for a promotion.
• Data is the only character who could remain the same except there would be more than one that would check if it is "fully functionalism".

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musical interlude Sunday

One of my favorite albums of 2010 was This Is Happening LCD Soundsystem.



For cons, the studio version of this song is superior to the latter.

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The journal portion of inks offers an evening "pure data"

"Robots & Prophecies" - Tuesday, January 11 - The Warehouse Gallery
7, St. Francis of Pressensé 75014 Paris

The journal portion of inks invite seven of its authors about poetry readings and actions on this theme.
Claude Maillard, Norbert Godon, David Christoffel, Catherine Lenoble, Loïc Bertern, Volti and Helios Sabaté Beriain give you an appointment for a poetic experience punctuated by a strong literary creativity and its resonance with the new technologies.
"It's in the meeting of different bodies of writings and a goal of common development that has committed the poetic experience that is" pure data. "
wire that connects the authors is their determination poetic. In this time that the machine missed calls us, urges us, to be about our own history.
Several levels of writing are present in this experimental platform. Is that these are forms of approaches and innovative styles for the penetration of a mind evolving or convolution of worlds. "
Photo:" Electronic Poetry - Newform "Helios Sabaté Beriain

http://www.lentrepot.fr/

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Fluxus Manifesto, by George Maciunas, 1963